“I see you”
Such a basic statement of recognition.
“I see you. I acknowledge your presence. I recognise you as a fellow human being.”
Yet for much of Cape Town’s history this basic statement of recognition was withheld from the majority of its residents. Histories of genocide, racial slavery, colonialism and apartheid layer into the city’s spaces.
The habits of non-recognition persist into the present. Many of Cape Town’s inhabitants feel like second-class citizens, invisible, unacknowledged and underrepresented in their own city.
Cape Town has seen violent protests on university campuses, and across the city. People are demanding not just fairer service delivery in this most unequal of spaces, but also greater visibility in its built life. The majority of Cape Town’s citizens remain a cultural minority. Walk the city’s streets today, and its colonial heritage is apparent and embedded. It is necessary to make a shift from this fixity, to a more agile and adaptable mix. Hybridity is creatively transgressive; fusion is future-focused; mixing is simply what peoples do.
While researching for, and editing Movement Cape Town, I heard from residents as they expressed their sense of under-representation. Black and brown people felt invisible, uninvited and unacknowledged. Paradoxically, in those instances when they weren’t ignored, they were exoticised – or made ‘hyper-visible’. These encounters demonstrated an urgent need to uncover the hybridity in contemporary Cape Town life.
I conceptualised See as an ongoing project that is produced by my agency, The City, in collaboration with individuals and institutions in Cape Town and across the globe. I named the project See, so that we may see more and acknowledge each other. See in Afrikaans is the ocean, and so our research extends beyond our borders, across the seas and studies the movements and peoples that form our identity and shape our city. I encourage people to look deeper, not passed and learn from our pasts so we may make better, more inclusive futures.
See aims to address and correct the persistent inequalities of the past and this digital space is a meeting place for sharing, idea exchange and making. Premised on the politics of visibility and recognition, it surfaces Cape Town’s complex past, and recognises the scholars, artists, activists, designers, curators, planners, archaeologists, museologists and others, who rescript this history as a resource for the present and future.
This is an open space. With a core of commissioned works, See takes conversations and contributions from anyone working on questions of history, memory and restitution, and the politics of the past in Cape Town. We invite work in multiple formats: texts, imagery, art, design, sound and film.
If you would like to contribute to See, please contact us.
Yours truly
Zahira
Zahira Asmal is an urbanist and director of The City, a research, publishing and place-making agency she founded in 2010. Zahira initiated See in 2017 to learn more about urban histories and engage with professionals on the democratic representation in the memorialisation of history. She is working with international institutions and cities, especially those that have successfully integrated representative symbols into their landscapes, literature and teachings. Her books include Reflections & Opportunities (published in English and Brazilian Portuguese), and three editions of Movement, examine the sociopolitical, economic, and cultural environments shaping South Africa’s big cities. Zahira served as advisor to the Africa Architecture Awards in 2017, African Crossroads in 2018 and is currently serving on the Board of Advisors for the International Archive of Women in Architecture. In 2020 she was the recipient of the Mbokodo Award in Architecture & Design.
Image Credit: Oluvuyo by Marguerite Oelofse